All this in a park where art director Assheton Gordon had painted the grass green, and apparently dyed 35 black-ish pigeons ink-black, in order to recompose “the setting so that it could look more like itself”. (33) As these details pass over into legend and deepen the myth surrounding Maryon Park, an otherwise self-effacing process of renewal and becoming is at least partially interrupted. Technology assumes the role of the akashic in assisting
communal memory to prevent total erasure and to document subsequent variform inscriptions; in doing so, it also releases tenacious forms which will quickly attain relative independence and perpetually haunt us, should we choose to open ourselves up to their existence. The Qliphoth have found new embodiment in the datasphere, enticing those who “surf” at speed through treacly info-sludge, overjoyed that the exceedingly time-consuming and inconvenient study of Kabbalah is no longer necessary. (34) When I first wrote this conclusion on 24/09/04, Yom Kippur had just begun and Madonna, sorry, Esther was continuing her spiritual pilgrimage in Israel – a simulated intersection of trajectories ripe for exegesis if ever I saw one – and was perhaps helping to focus our attention, albeit unintentionally, on the need to beware such negative cosmic energies and treat them as realities. (35) But let’s not get Hung Up on it. (36)

 

 

 

 

 

 

 

 

 

"Voyeurism, Vaccum, Death" by Guy Veale originally appeared in "Elend Und Vergeltung", November 2004

 

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.GUY VEALE - "Voyeurism, Vaccum, Death", 2004 (page 11)
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